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A thriller on the ISS demonstrates why it's folly to attempt to recreate 'Alien'. Jake Gyllenhaal plays an astronaut trapped aboard the International Space Station with a very hungry alien. Read More

By John Chard September 20, 2017

It's life, Jim, but actually as we know it.

Life is an average sci-fi picture, one that gets by on effects and general sci-fi values. Plot is utterly familiar. OK! It's always going to be unfair to judge a film of this type by the bar raiser that was Ridley Scott's Alien (1979), but really the familiarity on show here is tantamount to being naughty.

A group of space explorers discover an alien life form and after the initial wonderment and excitement subsides, things quickly turn bad, with the potential for threat to mankind as we know it...

That's pretty much it, really, the cast go through the motions of being in a play that is basically the characters being picked off by an alien manta ray thingy. Standard formula takes a grip of the viewer, who will be killed? who is next? will anyone survive? and etc. The makers - just to continue the unadventurous theme - throw in a Deep Blue Sea moment, while Hiroyuki Sanada has wandered in off of Sunshine's Icarrus II to feature aboard the International Space Station. The ending has and will infuriate many, but personally I liked it, very much from The Twilight Zone dimension, to which it lifts the piece just above averageville.

Not recommended with any conviction, especially to sci-fi fans stung by serious science defects and logic holes, while casual sci-fiers would be better off with the brilliance of Alien or something more fun packed and unpretentious like Leviathan (1989). But as it is it's a decent enough time waster. 6/10

By Markus Birth August 29, 2017

_"Monkeys in Space"_ would be a better title for this flick. As with all bad horror movies, the horror only exists because of people ignoring even the simplest rules or just not talking to each other. Add various logic errors to it and you have _"Life"_.


Things turn stupid when they start to experiment with that unknown life-form in a lab not suited for that at all. And they don't use remote controlled robot-arms but simple rubber gloves. The life-form, of course, instinctively knows how to use tools and how to penetrate rubber.

It then flees through a CO₂ nozzle (after an empty! flamethrower still had its pilot flame on and triggered the fire alarm) and doesn't end up in some tank but no, somehow gets into the rest of the space station. And this was only possible, because the computer to close the nozzles is a 1950s pocket calculator and you have to close them one by one by entering a 20-digit ID for each one or so it seems.

The story is driven by people knowingly opening hatches that should've been kept closed. Or not talking to each other, like telling the others that the creature is currently nibbling at one's leg.

Another highlight is the creature, finally trapped outside the station, finding its way back in THROUGH THE EFFING THRUSTERS. Why they seem to be connected to the inside of the space station is beyond me.

Same applies to 2 guys venting all air from a (sealed) module, but a 3rd guy opening the hatch from a pressurised area to said module without any indication the module was without pressure. (And, of course, he didn't know anything about the creature being trapped there, because he threw away his comm device the moment it had a bit of reception issues earlier.)

The whole movie is so wrong, I almost had to laugh. Especially, when the last survivors escape in 2 separate escape pods and the one which should reach Earth gets hit by debris and flies into outer space and the other one, *trying* to get away from Earth is kept from doing that by the creature who suddenly seemed to have acquired knowledge about steering NASA issue escape pods and is keeping the human from altering the course.

The torture ends with some Asian fishermen simply opening the hatch of the space capsule that just landed in front of them. Although they can clearly see the astronaut trapped in some spiderweb-like goo inside. It was like a final insult to sanity and reason.

By Reno July 21, 2017

**Their historic discovery was not celebratable.**

As I mentioned many times before, now is the trend of the space exploration in films. So there were many films like this one, but not all of them are received well. It was a decent flick, if you consider from the real world aspect, but definitely a very nice entertainer. Very tense plot, especially in the second half till the final scene.

This is a minimal cast film and the entire story takes place in an Internation Space Station in the Earth orbit with a lab facility. They've come from Mars with a soil sample to study for any sign of life. Their historic discovery does not become a happy event as they encounter life threatening trouble on-board. The remaining is to focus their rest of the mission that how it'll end.

This is the second film with the same name I've seen in the recent time. The other one was a biographical-drama starring Robert Pattison, but this is an sci-fi-thriller. Lots of big names in it, but the film did not make that kind of a big buzz. It was considered a good fictional space film. Kind of inspired by other similar themed flicks.

Lots of thrills, fast paced narration, a simple story with the nice visuals. From the Swedish director of 'Easy Money' fame. There were lots of speculations about its connection with other films. But nothing was confirmed by the filmmakers. I hope there will be a sequel, but this time it won't be same as the story might take place in a different setting. Overall, I enjoyed it and surely would suggest it if anybody asks me.


By 007ace June 21, 2017

**Unexpected horror**

I was expecting so.ething watered down and similar to most new 'no escape' sci-fi movies. This was a great change, it felt more like alien; dark, gritty, serious.
You could spend hours picking things apart but it is enjoyable and I think that outweighs most of those faults.

By Gimly June 12, 2017

_Life_ may not be doing anything new, but it's doing it better than similar services of late.

_Final rating:★★★ - I personally recommend you give it a go._

By Movie Times Staff April 1, 2017

In space, no one can hear you scream: "For God's sake, don't coddle that damned face-hugging alien!" Daniel Espinosa's Life throws the science-fanciers a few (human) bones. Take xenobiologist Ariyon Bakare's Hugh Derry, crooning over a little bugger brought to the International Space Station by the Pilgrim 7 Martian probe. Talking to it, petting it in its glove box, and then goosing it with an electrical prod when the critter is trying to take a siesta, Derry is the most foolhardy scientist since the doomed physicist Louis Slotin. One gets a sense that Espinosa (Child 44) doesn't have a real point of view about his lurking, pouncing Martian critter: a tapeworm-sized beast that ends up quite big after helping himself to the crew.

As for Calvin, as the ornery tentacled beast is called...Calvin honors that thing you always say at parties when you've run out of things to say about octopuses: "If there were alien life, it might well look like this crafty cephalopod, so ingenious, so gifted at escape attempts. Really, it's a pity that we eat him with soy sauce and wasabi." Unfortunately, Calvin isn't as good at calligraphy as those alien squid in Arrival.

Life doubles down on the zero-gravity swimming scenes that were part of the appeal of Gravity; the cast (Olga Dihovichnaya, Rebecca Ferguson, Jake Gyllenhaal, Ryan Reynolds, Hiroyuki Sanada) claw their way through the corridors as the thing chases them. But there are many "Now, we wait!" scenes in between science-fiction declaratives: "We're looking at the first incontrovertible proof of extraterrestrial life!" Before humanity makes its last desperate stand with duct tape and flashlights, there are many swears: "This is some Re-Animator shit!" says Reynolds, breaking the law against quoting a better movie than the one you're in.

Life is a movie you wish you could see for the second time first, so that everything that fails to make sense first time around, every amazingly stupid action the cast carries out, would be clarified. Glum, hushed, occasionally grisly--it runs out of a better rationale than the idea that what we describe as a monster's wrath is just the life force expressing itself. It's unclear this movie has a reason to exist, beyond the reason of showing what a sucker's game it is to try to top Alien.